Vivieno Caldinelli
Vivieno Caldinelli's award winning work has appeared on CBC, CTV, CityTV, The Comedy Network, Bravo!, and TMN. Vivieno is an alumnus of both the Berlinale Talent Campus of the Berlin International Film Festival and the Toronto International Film Festival Talent Lab. In 2005-2006, Vivieno participated in the Canadian Film Centre’s Directors Lab. His film, If I See Randy Again, Do You Want Me To Hit Him With The Axe? was produced with the CFC's NBC/Universal Short Dramatic Film Program. It was invited to over 25 festivals around the world including it’s premiere at the 2006 Toronto International Film Festival. It was nominated for over 10 awards including for 4 nominations at the 2007 Canadian Comedy Awards. In 2009, Vivieno was the Creative Producer, and served as both a Writer and Director on the Comedy Network Series, Hotbox. Currently, Vivieno is in development with Corus, Telefilm, JFL, and CFC Comedy Lab with his feature film, The House They Screamed In, and he just finished directing the Comedy Network series Picnicface.
RUSTY TALK WITH VIVIENO CALDINELLI
How did you first come to filmmaking?
From a very young age I was obsessed with movies and television. It was just a huge part of my life growing up. There was no real choice; it was something that I was going to have to do and become.
What keeps you going as a writer/filmmaker?
Without filmmaking and writing, I'm worth about $11 an hour in the real world. I have no other skills. Honestly. I have dug myself in such a deep hole that I have no other options other than to succeed. It's a lousy plan, but it's working so far. I am fortunate that I am very passionate and absolutely love what I do. Very few people get to live their "dream job". So I'm blessed in that regard.
When writing scripts, what is the revision process like for you?
It's all about layering draft after draft. With each revision, I fill out of the characters, trim needless dialogue and exposition, revise scenes, etc. It's almost as if each draft of the script is a transparency sheet with a part of a drawing on it. Writing draft after draft is like putting down a new sheet of transparency over the old one. Each sheet with another part of the drawing on it, complements and builds on the original until finally you're left with a perfect picture.
How did you deal with rejection when you first started out?
It was tough at first but then you learn to deal with it. You get thinker skin. You learn to stand by your ideas and writin but at the same time listen to criticism. It's very important to listen to what people think about your work. But it's up to you to take that criticism, filter it, and use it to strengthen you work.
What filmmakers would you recommend to new screenwriters?
I just would say watch what inspires you. Watch who you connect with. Who you feel best captures and complement your vision. These are you formative years, and the filmmakers and writers that influence you early will continue to do so for the rest of your lives. Others will come and go, but who and what inspires you now, will play a huge role in shaping what you will become later in your career.
Is there filmmaker that had a significant impact on your career?
This kinda connects with the last question. Growing up I watched a lot of Mel Brooks and John Landis. I absolutely loved anything they did. All my early films and writing were inspired by them. I have since had other influences, but those core influences that I had early on in my life continue to impact my career.
A piece of advice for new writers and filmmakers?
Just keep writing and making films. That's the only way you can get better. Creating and completing project after project is the absolute best experience to learn from.
RUSTY TALK WITH VIVIENO CALDINELLI
How did you first come to filmmaking?
From a very young age I was obsessed with movies and television. It was just a huge part of my life growing up. There was no real choice; it was something that I was going to have to do and become.
What keeps you going as a writer/filmmaker?
Without filmmaking and writing, I'm worth about $11 an hour in the real world. I have no other skills. Honestly. I have dug myself in such a deep hole that I have no other options other than to succeed. It's a lousy plan, but it's working so far. I am fortunate that I am very passionate and absolutely love what I do. Very few people get to live their "dream job". So I'm blessed in that regard.
When writing scripts, what is the revision process like for you?
It's all about layering draft after draft. With each revision, I fill out of the characters, trim needless dialogue and exposition, revise scenes, etc. It's almost as if each draft of the script is a transparency sheet with a part of a drawing on it. Writing draft after draft is like putting down a new sheet of transparency over the old one. Each sheet with another part of the drawing on it, complements and builds on the original until finally you're left with a perfect picture.
How did you deal with rejection when you first started out?
It was tough at first but then you learn to deal with it. You get thinker skin. You learn to stand by your ideas and writin but at the same time listen to criticism. It's very important to listen to what people think about your work. But it's up to you to take that criticism, filter it, and use it to strengthen you work.
What filmmakers would you recommend to new screenwriters?
I just would say watch what inspires you. Watch who you connect with. Who you feel best captures and complement your vision. These are you formative years, and the filmmakers and writers that influence you early will continue to do so for the rest of your lives. Others will come and go, but who and what inspires you now, will play a huge role in shaping what you will become later in your career.
Is there filmmaker that had a significant impact on your career?
This kinda connects with the last question. Growing up I watched a lot of Mel Brooks and John Landis. I absolutely loved anything they did. All my early films and writing were inspired by them. I have since had other influences, but those core influences that I had early on in my life continue to impact my career.
A piece of advice for new writers and filmmakers?
Just keep writing and making films. That's the only way you can get better. Creating and completing project after project is the absolute best experience to learn from.
VIVIENO CALDINELLI'S RECENT PROJECT
PICNICFACE on the comedy network
Picnicface (not Picnicfeast) is coming at you with the Series Premiere Sept. 21 at 10:30pm et/pt.
Picnicface is a fast-paced, mash-up comedy mixing a contemporary, Pythonesque animation and absurd sketch comedy. Hailing from Halifax, Nova Scotia, the eight-person sketch troupe consists of Andrew Bush, Kyle Dooley, Cheryl Hann, Mark Little, Brian Eldon Macquarrie, Evany Rosen, Scott Vrooman and Bill Wood. Veteran Canadian comedy master Mark McKinney is Executive Producer and Showrunner.
PICNICFACE on the comedy network
Picnicface (not Picnicfeast) is coming at you with the Series Premiere Sept. 21 at 10:30pm et/pt.
Picnicface is a fast-paced, mash-up comedy mixing a contemporary, Pythonesque animation and absurd sketch comedy. Hailing from Halifax, Nova Scotia, the eight-person sketch troupe consists of Andrew Bush, Kyle Dooley, Cheryl Hann, Mark Little, Brian Eldon Macquarrie, Evany Rosen, Scott Vrooman and Bill Wood. Veteran Canadian comedy master Mark McKinney is Executive Producer and Showrunner.
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