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ALEKSANDRA MIR


The Rusty Toque | Portfolio | Issue 7 | November 30,  2014

Picture
Baby Boom. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Beauty Free. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Installation View. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Cold War Hot Stuff. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
Picture
Picture
Installation View. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Draft Me Hard. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
The End. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Welcome Sometimes. Fiber-tipped Pen on Paper. 120 x 190 inches.
2005
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Picture
Church of Sharpie Drawing Session.
2005
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THE CHURCH OF SHARPIE

NEW YORK—In May 2005, I gathered 16 assistants for a Sharpie-drawing marathon in a large temporary studio in the East Village, New York. We produced twenty huge (190" by 120") drawings outlining the map of the USA, each with commentary on subjects such as the Civil War, space shuttles, state flowers, the American bicentennial, the draft, road-tripping, love, God and the baby boom. Typically I would outline the drawings overnight, and the assistants would come in and ink my outlines during the day and evening, so there were always three shifts running. Over the course of the month, as we listened to the different music everyone brought in and shared lunches and stories, we also invented a language and developed a cult around this magnificent household marker. Words such as ‘Sharpologist’ were invented. A range of up to twelve Sharpie middle-tones was achieved with the fading marker, while ‘black’ took on a different meaning. My assistants, students and graduates from various New York art schools, bore titles such as ‘The Supervisor of Paper Cutting and Protector of Fingertips’, ‘Manager of Middle-tones’ and ‘Secretary of Finesse’. One day Jason Schmidt came over to shoot this photo of us for V magazine. I think it was he who named it The Church of Sharpie



_ ALEKSANDRA MIR (born 1967) is a Swedish - American artist currently based in London.
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  • Home
    • Issue 1 >
      • Creative Nonfiction: 1
      • Fiction: 1
      • Screenwriting: 1
      • Poetry: 1
      • Contributors: 1
    • Issue 2 >
      • Visual Art: 2
      • Fiction: 2
      • Poetry: 2
      • Masthead: 2
      • Contributors: 2
    • Issue 3 >
      • Poetry: 3
      • Visual Art: 3
      • Comics: 3
      • Fiction: 3
      • Reviews: 3
      • Masthead: 3
      • Contributors: 3
    • Issue 4 >
      • Prose: 4
      • Poetry: 4
      • Reviews: 4
      • Visual Art: 4
      • Contributors: 4
      • Masthead: 4
    • Issue 5 >
      • Nonfiction Kathy Acker & McKenzie Wark
      • Drama: 5
      • Prose: 5
      • Poetry: 5
      • Film: 5
      • Comics: 5
      • Reviews: 5
      • Visual Art: 5
      • Video & Sound: 5
      • Masthead: 5
      • Contributors: 5
    • Issue 6 >
      • Poetry: 6
      • Prose: 6
      • Reviews: 6
      • Film: 6
      • Visual Art: 6
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    • Issue 7 >
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      • Contributors: 9
      • Masthead: 9
    • Issue 10 >
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      • Fiction: 10
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      • Visual Art: 10
      • Film: 10
      • Comics: 10
      • Contributors: 10
      • Masthead: 10
    • Issue 11 >
      • Poetry: 11
      • Prose: 11
      • Reviews: 11
      • Visual Art: 11
      • Comics: 11
      • Contributors: 11
      • Masthead: 11
    • Issue 12 >
      • Poetry: 12
      • Prose: 12
      • Reviews: 12
      • Visual Art: 12
      • Contributors: 12
      • Masthead: 12
    • Issue 13 >
      • Poetry: 13
      • Fiction: 13
      • Nonfiction: 13
      • Visual Art: 13
      • Comics: 13
      • Reviews: 13
      • Contributors: 13
      • Masthead: 13
  • About
    • Masthead
    • Mission
    • Meet Our Editors
    • Contact
    • Chapbooks
  • Rusty Reviews
    • Rusty Recs
  • Special Features
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