THE RUSTY TOQUE
ISSUE 8
VISUAL ART
PROSE
NONFICTION
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FICTION
POETRY
REVIEWS
FICTION REVIEWS
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POETRY REVIEWS
COMICS
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RUSTY TALK
History Lesson: An Interview with Mike Watt
Mike Watt played bass in Minutemen, and for that his place in musical history is assured. However, Watt is not a man to rest on his laurels. When he turned 57 in December of last year, he'd recently completed a 51-shows-in-51-days US tour with his band Il Sogno Del Marinaio (his two Italian bandmates are in their 30s). Earlier in 2014, he toured Europe with one of his other bands, Mike Watt + The Missingmen, and after a flurry of US shows at the beginning of this year he is now back in Europe with the Missingmen, this time touring his third “punk opera”, Hyphenated-Man. He’s released 5 albums in the last 4 years on his own clenchedwrench label. He hosts a radio show and podcast called “The Watt from Pedro Show”. He publishes extensive tour diaries on his website, a rich self-archive he calls hootpage. He also makes albums and tours the world with the Stooges, for whom he has played bass since Iggy Pop reformed the group in 2003. So if you wanted to call Mike Watt the hardest-working man in punk rock, there would much to back that up. It’s a title Watt himself, with his stubborn prole modesty, would probably take some pride in. However, to do the man justice you’d have to expand on the terms employed. Watt doesn’t just work the bass back and forth from stage to studio, he also works up and down, plumbing depths and scaling heights. While musicians reared on Minutemen are already embarking on reunion tours, Watt remains restless and forward-looking, constantly challenging himself with a range of new projects. All this to say that hard work, for Watt, doesn’t simply mean pounding the pavement and honing his craft—it also has something to do with artistic renewal and growth. Then there’s the question of what is meant by punk rock. Minutemen were founded in 1980 by Watt and his childhood friend, guitarist D. Boon, in their hometown of San Pedro, California (drummer George Hurley completed the trio). While the band was among the pioneers of the West Coast punk scene, their distortion-free sound was never exactly what most people thought of as punk music. Minutemen’s brilliant run came to a sudden, tragic end in 1985 with D. Boon’s death in a car accident. Watt’s subsequent output in bands like fIREHOSE, Dos, and others has veered even farther from the strict genre of punk, but as Watt points out, for him and D. Boon punk was an idea more than a musical style; it was an ethos, a politic, a practical philosophy, a movement. Few bands put this idea to such inspired use as Minutemen, and fewer people have remained as fiercely, and productively, committed to it as Watt. Read More |