![]() Martha Schabas Anchor Canada, 2013 What kinds of positions does Various Positions have in mind? Dance positions, sex positions, moral positions? The novel's tantalizing front cover depicts a ballerina (from behind) taking a bow; on the back cover, her legs dangle in the air, as if she has just been hanged. The pages in between these two darkly comic images suggest that the various positions of ballet, sex and morality are intimately linked, and frequently inseparable. When Georgia, a talented but shy teenaged dancer, is accepted into the prestigious and cutthroat Royal Ballet Academy, she savors its disciplined commitment to excellence. Appalled by her parents' dysfunctional relationship and her friends' obsession with boys, Georgia tries to distance herself from sexuality by diving into the world of professional ballet, a supposedly pure and passionate realm, driven by aesthetic splendour instead of desire. However, as Georgia and her charismatic instructor, Roderick, become suspiciously close, Georgia begins to blur the lines between artistry and sexuality, and she soon discovers that she is just as corruptible, just as fallible, just as human, as those around her. It is a shame that Various Positions was released shortly after Black Swan, a far less compelling and nuanced work of art. Although they both address issues of artistic and sexual obsession, Schabas chooses subtlety over psychodrama and realism over sensationalism. She crafts a complex dialectic between gender, sexuality and art, while grounding her ideas in everyday moral dilemmas. She never settles for conventional twists or tidy resolutions, and her suggestive dialogue and suspenseful plot are only enhanced by her sharp eye for imagery and her finely-tuned ear for lyricism. For those who were intrigued by Black Swan's subject yet disappointed by its execution, who longed for characters instead of archetypes and ideas instead of platitudes, Various Positions is the book for you. It is an exhilarating, thought-provoking--and, at times, unsettling--debut by one of Canada's most promising writers. Chris Gilmore is currently pursuing a Masters in English and Creative Writing at the University of Toronto. He writes fiction, plays and screenplays.
![]() by Anne Carson McClelland & Stewart, 2013 Anyone who picks up Red Doc> expecting another Autobiography of Red is going to be disappointed--but disappointed in a good way. One of the joys of reading a new Anne Carson book is savoring its groundbreaking originality, and Red Doc> is no exception. Written mainly in narrow columns of sporadically punctuated verse, it continues the tragicomic, mythology-inspired romance of Geryon and Herakles, now named "G" and "Sad But Great." Like Autobiography of Red, the plot of Red Doc> is fairly episodic, driven by elliptical waves of language rather than dramatic incident, but the overall tone has changed. Emotion has been largely traded for thought, immersion for detachment, realism for absurdism, mythology for modernity. Whereas Autobiography of Red was a heartbreaking portrait of the artist as a young red man with wings, Red Doc> is an equally painful (yet surprisingly funny) snapshot of the disillusioned artist as a not-so-young man, who has come to prefer Proust to philosophy, comfort to adventure, irony to grief. Carson's epigraph from Samuel Beckett ("Try again. Fail again. Fail better.") not only foreshadows the central characters' hopeless attempt to rekindle their relationship, but also sets the stage for the world of the novel as a whole. The barren landscapes, the absurd interactions, the surreal characters--everything seems to have wandered out of a Beckett play. However, Carson blends her unique imagination with Beckett's so seamlessly that his influence is never overpowering, always complementary. Not many writers could confront such a heavyweight precursor so effectively--let alone so directly--which reminds us again why she is considered one of North America's most powerfully original contemporary writers. Chris Gilmore is currently pursuing a Masters in English and Creative Writing at the University of Toronto. He writes fiction, plays and screenplays.
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RUSTY RECOMMENDS
In the spirit of supporting writing—especially writing that's off the radar or under appreciated—we want to know what you are excited about reading and what you think we should be reading. Your recommendations should be paragraph length (approximately 250 to 300 words) and should briefly summarize the book and detail why you are recommending it or why you think others should read it. Send our reviews editor Aaron Schneider your recommendations of Canadian and International fiction and poetry. Please write "Rusty Recommends" in the subject line. Include your (250 to 300 word) recommendation, name, and a link to your website, blog, or social media site (if you have one). Selected recommendations will be posted on our website. We will contact you if your recommendation is selected for publication. There is no payment for publication of Rusty Recommends. Archives
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Rusty Recommends Editor:
Dr. Aaron Schneider completed a PhD. in Canadian Literature at Western University where he currently teaches courses in public speaking, political rhetoric and Canadian Literature. He is excited about bringing together his interests in World and Canadian Literature. He is the co-founder and co-editor of The Rusty Toque and Western's online student journal Occasus. |