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  • Issues 1-13

Introducing our two new Rusty Toque editors

9/21/2015

 
We are thrilled to announce The Rusty Toque's new Interviews Editor, Adèle Barclay and Social Media Editor, Geoffrey Nilson.

Both are past contributors to The Rusty Toque, and we are excited to have them on board in their new roles.

Adèle Barclay's review of Jillian Tamaki's graphic novel Supermutant Magic Academy can be found in
Issue 8 and Geoffrey Nilson's poetry was featured in Issue 3.

INTERVIEWS EDITOR: ADÈLE BARCLAY

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Adèle Barclay is a writer and critic based in Vancouver. Her debut collection of poetry was shortlisted for the 2015 Robert Kroetsch Award for Innovative Poetry and is forthcoming from Nightwood Editions. Her writing has been published in The Pinch, The Literary Review of Canada, Cosmonauts Avenue, Matrix, and elsewhere. Currently, she is the CWILA Links Editor and is writing a doctoral dissertation on American poetry and film.

SOCIAL MEDIA EDITOR: GEOFFREY NILSON

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Geoffrey Nilson is a writer, editor, visual artist, and musician whose poetry and essays have appeared in Poetry is Dead, PRISM international, subTerrain, Lemon Hound, The Rusty Toque, Soliloquies, rip/torn, Qwerty, and The Glasgow Review of Books. His work has been shortlisted for The Malahat Review Far Horizons Award for Poetry and won Honourable Mention for the Alfred G Bailey Poetry Prize. Nilson is Contributing Editor for Arc Poetry Magazine and studies writing at Kwantlen Polytechnic University. He lives in New Westminster, BC, Canada, with his daughter, Scarlett.

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The Rusty Toque would like to acknowledge the sacred land on which we operate. It has been a site of human activity for 15,000 years. This land is the territory of the Huron-Wendat and Petun First Nations, the Seneca, and most recently, the Mississaugas of the Credit River. The territory was the subject of the Dish With One Spoon Wampum Belt Covenant, an agreement between the Iroquois Confederacy and Confederacy of the Ojibwe and allied nations to peaceably share and care for the resources around the Great Lakes. Today, the meeting place of Toronto is still the home to many Indigenous people from across Turtle Island, and we are grateful to have the opportunity to work in the community, on this territory.
  • Home
    • Archives: Issues 1-13 >
      • Issue 1 >
        • Creative Nonfiction: 1
        • Fiction: 1
        • Screenwriting: 1
        • Poetry: 1
        • Contributors: 1
      • Issue 2 >
        • Visual Art: 2
        • Fiction: 2
        • Poetry: 2
        • Masthead: 2
        • Contributors: 2
      • Issue 3 >
        • Poetry: 3
        • Visual Art: 3
        • Comics: 3
        • Fiction: 3
        • Reviews: 3
        • Masthead: 3
        • Contributors: 3
      • Issue 4 >
        • Prose: 4
        • Poetry: 4
        • Reviews: 4
        • Visual Art: 4
        • Contributors: 4
        • Masthead: 4
      • Issue 5 >
        • Nonfiction Kathy Acker & McKenzie Wark
        • Drama: 5
        • Prose: 5
        • Poetry: 5
        • Film: 5
        • Comics: 5
        • Reviews: 5
        • Visual Art: 5
        • Video & Sound: 5
        • Masthead: 5
        • Contributors: 5
      • Issue 6 >
        • Poetry: 6
        • Prose: 6
        • Reviews: 6
        • Film: 6
        • Visual Art: 6
        • Masthead: 6
        • Contributors: 6
      • Issue 7 >
        • Film: 7
        • Prose: 7
        • Poetry: 7
        • Reviews: 7
        • Visual Art: 7
        • Comics: 7
        • Masthead: 7
        • Contributors: 7
      • Issue 8 >
        • Poetry: 8
        • Prose: 8
        • Visual Art: 8
        • Comics: 8
        • Reviews: 8
        • Contributors: 8
        • Masthead: 8
      • Issue 9 >
        • Poetry: 9
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      • Issue 10 >
        • Poetry: 10
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      • Issue 11 >
        • Poetry: 11
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        • Comics: 11
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      • Issue 12 >
        • Poetry: 12
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      • Issue 13 >
        • Poetry: 13
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        • Masthead: 13
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  • Issues 1-13